With a delay, but better late than you know, because everything is better with mice, here is Millais’s “Ophelia” (1852), painted as a present for a dear friend.
The fall of a starving artist starts strong with “A Sunday Afternoon on the Island of Grande Jatte” (1884) by Georges Seurat. It is not only an exercise in imagining what this painting… Continue reading
The summer of the starving artist is crowned with Jan van Eyck’s “The Arnolfini Portrait” (1434).
Blue Period lends itself so wonderfully to micefying, that there might be a separate subcategory of mice art on this website soon: Micasso’s art.
As the summer of the starving artist comes to the end, here’s another Hopper. I painted it for my friend, who showed me that Hopper is not only about “Nighthawks” and lighthouses.
I micefied the portrait of “Jeanne Hebuterne with Hat and Necklace” (1917) by Amedeo Modigliani for my friend Lena. I am particularly grateful for this commission, because (i am not sure if I… Continue reading
I have been thinking about micefying this painting for a while. It is good timing now, since last week was the anniversary of the July Revolution of 1830 (Paris uprising took place July… Continue reading
Are nightmares better with mice? Seems like at least “The Nightmare” by Henry Fuseli (1781) is. This piece was commissioned by my dear friend, wonderful poet and fellow deathling Annah. I have always… Continue reading
When a jam-making person runs out of sugar AND jars, it is a dark time indeed. Hence, the inspiration for the Goya below. Serendipitously commissioned by my friend and great tango-DJ Mike, who… Continue reading