With a delay, but better late than you know, because everything is better with mice, here is Millais’s “Ophelia” (1852), painted as a present for a dear friend.
After a one-week hiatus caused by the early onset of grading dementia, the fall of the starving artist continues with a commission for a dear friend: “A mouse with a pearl earring.” ‘Nuff said.
The fall of a starving artist starts strong with “A Sunday Afternoon on the Island of Grande Jatte” (1884) by Georges Seurat. It is not only an exercise in imagining what this painting… Continue reading
The summer of the starving artist is crowned with Jan van Eyck’s “The Arnolfini Portrait” (1434).
As the summer of the starving artist comes to the end, here’s another Hopper. I painted it for my friend, who showed me that Hopper is not only about “Nighthawks” and lighthouses.
I micefied the portrait of “Jeanne Hebuterne with Hat and Necklace” (1917) by Amedeo Modigliani for my friend Lena. I am particularly grateful for this commission, because (i am not sure if I… Continue reading
Are nightmares better with mice? Seems like at least “The Nightmare” by Henry Fuseli (1781) is. This piece was commissioned by my dear friend, wonderful poet and fellow deathling Annah. I have always… Continue reading
Our friend Linda is running a 10K race in support of Open Books charity (if you would like to help, you can do it here). Adelaide, a bibliophile mouse, is excited about an… Continue reading
For today’s installment of mice art, I micefied a painting of Marc Chagall “I and Village” (1911). I am giving it to my friend Sacha whose birthday it is today (yay!). She is an… Continue reading